Two weeks ago today, I went to P.S.1′s current exhibit “Greater New York” which shows contemporary works of art of various forms being created mainly in the New York region. P.S.1 is one of my favorite museums because when you go to it you know you are viewing the most up to date and active artists of the time.
That said, nothing specifically stood out for me as being amazing art. There were, though, things that caught my eye. Here are the artists that I liked in no specific order.
Kalup Linzy:
Honestly I wasn’t expecting to find something so funny at the exhibition. Kalup Linzy’s ridiculous story which as about several women and a recording company was genuinely hilarious. Plus the voice over which he does after adds a highly comedic effect. This in a museum, though, pushed me to consider the boundaries of art. Nonetheless it was interesting, made me think, and even more made me laugh. (PS. Shout out to Sahara Davenport!!). Kalup Linzy’s website.
Rashaad Newsome:
This was not the first time I saw Rashaad Newsome’s work. When I went to the Whitney Biennial there was a video of him voguing alone in some room. Honestly I did not like that one so I watched for like 30 seconds and moved on. His piece at PS1, however, entitled Shade Compositions 2009 was sort of amazing. I watched the entire piece which was a musical composition showing black women uttering various phrases in unison such as, “excuse” “mhmmm” “really” and “anh-anh” (as in no). Newsome’s artwork reflects, I guess, on a part of gay black culture and the activities seen in the movie Paris Is Burning such as “throwing shade” – hence Shade Compositions (I think), voguing, and reading. You can see the whole Shade Compositons 2009 video on his website. Watch it. It’s worth it, I think.
Mariah Robertson:

88 by Mariah Robertson
The first thing I thought when I saw Mariah Robertson’s piece “88″ was “how did they print that?” Maybe that’s because I know the process of printing photographic images developed in the dark room is complicated. It probably wasn’t done that way, but it did look like it. That was basically all the thought I put into this piece while at the museum. Afterwards, however, I realized that the sculptural quality of “88″ was actually very impressive. The way that it was draped and the coloring of the images reminded me of a waterfall or a wave. You can see Robertson’s other work here.
Hank Willis Thomas:
By removing the words from advertisements featuring black people, Hank Willis Thomas attempts to point out stereotypes of race, gender, and ethnicity. His work shown here spanned from 1969 to the present. While I did somewhat examine the images for stereotypes and could find some, I generally found myself trying to remember which ad such and such image was from. Maybe this is cause I had seen so much art that I became unfocused. Nonetheless, Thomas is successful in his endeavor I think. You can view more of his ads here.
David Benjamin Sherry:

Making Sure White Sand Dunes Stain by David Benjamin Sherry
This photography was probably the only thing I was instantly drawn to and it was probably because of the fact that each image was based on a single color. For this reason mainly, I really liked the photography of David Benjamin Sherry. Probably the most impressive one is the one that PS1 has chosen to use for their marketing for the exhibition, entitled “Self Portrait as the Born Again Feeling.” This image features Sherry emerging from a pond filled with green vegetation surrounded by lush green trees and bushes. He himself is painted in green. In addition to his portraits, his other photography is enjoyable. I appreciate the way that he sticks to a certain style, and I think through that his creative potential really shows. View his website here.
Tala Madani:

Bright Eyes by Tala Madani
I loved loved loved the Accident Series videos, specifically the one in which a baby pummeled a hospital patient to death. I watched it in horror and amazement as the events unfolded before my eyes. The videos, which are stop motion, are wonderful because they are painted animations. I thought that added a mysterious and also emotional feel to the videos. Her brush strokes, which are sloppy, heighten these senses I thought. (Apparently I saw her work at the New Museum’s triennial Younger Than Jesus last year. Unfortunately I don’t remember) I wish I could find the video online but I cant, so here’s an image of one of her regular paintings. I also couldn’t find a homepage so here’s a link to a NYT Magazine interview with her.
David Adamo:

Untitled (rite of spring) by David Adamo
His baseball bat floor deserves a little mention because it was fun! I thought I was going to fall walking on it. I wonder what it’ll look like in October at the close of the exhibit.
Brief shout outs to Deville Cohen who’s video “Grayscale (A Video in Three Acts)” was intriguing but I need to learn more about and Ryan MacNamara’s video “I Thought It Was You” both pictured below.
I’ll comment on the Young Architect’s Program winners Idenberg Liu’s “Solid Objectives” at a different point in time when I get to go to Warm Up and experience the interactive environment in full effect.


deiyo deiyo – the hykkers






